This may well be the last of its kind, I am so obsessed with the pushed in pots lovely feminine opening, squatted shape, and three dimensional canvas for sclupting that I have little time for forms like these with figures simply laying on the surface and not really connecting intimately with the pot itself. That said, this is another well-glazed celedon which still allows the sculpture to be seen... look back at the first and second works from Greenwich House for comparisons.
This vessell I especially love because she is not only full of life, but her pregnant belly is actually an unopened flower, the figure is actually a trio, growing from the same root, other whimsical beings spring forth, open and receptive children of the safe universe.
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